Hats & Parasols Collection: Pierre-Auguste Renoir Oil Painting Reproductions
Showing 17–32 of 84 results
-
Girl with Pink Bonnet (Jeune fille au chapeau rose)
From $109 -
Girls with Hats (Jeunes filles aux chapeaux)
From $109 -
Hat with Red Ribbon, Seen from Behind
From $109 -
Head of a Young Girl in a Red and White Hat
From $109 -
Head of a Young Woman in a Yellow Hat
From $109 -
Head of a Young Woman with a White Flower Hat
From $109 -
In the Café
From $109 -
Jeanne Henriot (Little Girl with a Blue Hat)
From $109 -
Jeune femme à l’ombrelle (Alice Nunès)
From $109 -
Leaving the Conservatory (La Sortie du conservatoire)
From $109 -
Lise in a Straw Hat (Jeune fille au chapeau de paille)
From $109 -
Lise with a Parasol
From $109 -
Little Girl in a Red and White Hat
From $109 -
Little Girl with a Hat (Jeune Fille au Chapeau)
From $109 -
Madame Renoir with a Hat
From $109 -
Mademoiselle Grimprel with a Red Ribbon
From $109
Shade as a colour problem
Painting a face in full sun is easy; painting one half in shadow under a straw brim is not, and it was exactly the problem the Impressionists set themselves. Renoir's answer was to refuse grey. The shadow under a hat is painted in green, blue and violet at full saturation, and it reads as cool shade only because the lit side is warm.
A parasol does something else again: it filters daylight, so the skin below it takes the colour of the fabric. In the garden pictures you can often work out what colour a parasol is by looking at the face rather than the canopy.
A record of a decade
The hats date the pictures precisely. The wide flat boater belongs to the river and to summer; the small elaborate town hat with feathers and ribbon belongs to the theatre and the boulevard. Renoir's models were often milliners and shop assistants, and the hats were sometimes borrowed for the sitting, which is why the same one reappears on different heads.
Which room this collection suits
These are mostly half-length figures with a strong single accent of colour, which makes them easy to place against a plain wall. They suit a dressing room, a bedroom, a hallway or a wall beside a mirror. Fifty to seventy centimetres is the natural range. Because the pictures are built around a bright hat, avoid a busy wallpaper that will compete for the same attention.
Frequently asked questions
Why so many hats?
Partly fashion, since Parisian women did not go out uncovered, and partly optics. A brim divides a face into a lit and a shaded half, which is the effect Renoir spent his career painting.
Are the clothes historically accurate?
They are contemporary observation rather than costume study, which makes them more reliable, not less. The dresses and hats are what his models actually wore between about 1874 and 1885.
Which is the best known picture here?
The boating and garden scenes with straw hats are the most recognised, along with the theatre pictures where the hat and the opera glasses do the storytelling. Several are also catalogued under Girls and Sisters.
What frame suits a picture with a bright hat?
A quiet one. The hat is already the loudest note in the canvas, so a plain warm wood or a narrow dark moulding keeps the attention where the painter put it.